The smaller-scale, single-location episodes still feel incredibly dynamic.
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The directors find a lot of charming humor in the simple collision of Marin’s overzealousness and indifference versus Wakana’s naïveté (which sometimes calls for suspending disbelief) and complete inability to keep her cool, and considerate acting. , often charming, character from the animation. she keeps these elements ever present in her body language. Wakana is careful, sparing with words, and often quite calm, while Marin is bubbly, talkative, and hyperactive.
Due to the care and personality that goes into the character animation, smaller scale single location episodes still feel incredibly dynamic. Even a scene of Marin eating a scone has plenty of expressiveness, and what would otherwise be a minor swoon is given additional comedic flair via an insert shot where a little cartoon pulls the plug on the character’s brain. Episode 11, mostly set in a love hotel, finds dozens of different ways to show Wakana panicking and/or having a horny meltdown, before ending with a jaw-droppingly funny and cheeky visual gag. Other glorious and outrageous moments include a wild cut of animation that remakes the iconic ending of The Texas Chainsaw Massacre, or numerous sequences involving an anime series within a series where animators can play with the aesthetics of ’90s shows. magical girls. The breadth of the genre, and that it manages to get smuggled into the fringes, is just another part of the fun.
There are dozens of clever moments in each installment, as each episode’s director leaves a distinct mark. As a result, the show has an incredibly wide variety of styles in each scene and blends it all together very well; the eighth featured episode, directed and written by Yūsuke Kawakami, begins in a more detailed style before shifting into something a bit looser and more expressionistic as the two take an impromptu trip to the beach, the characters drawn with softer shapes for more contrast. strongly against his more realistic backgrounds.
Visual creativity ends up being a major factor in softening the series’ frequent and direct fanservice. There are a handful of wary moments that will turn some viewers off, but for the most part, they can be reconciled with the subjective perspective of the characters, and sometimes it gets so absurd that it feels harmless again. . It helps that he’s so forthright about the characters’ romantic interest in one another and candid about the less-than-healthy nature of the various manga, video games, and anime that Marin is obsessed with, making the resulting jokes about sex feel mostly natural instead of just vulgar. In the aforementioned 11th episode, through a fictional manga within the show, she even pokes fun at this element itself and the potential for contradiction between the sweetness of her life and the occasional spiciness of hers. Even when it doesn’t quite work out that way, there’s at least one great visual joke going on right now. Because of that element, well, he gets away with it.
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My Dress-Up Darling is a surprisingly sweet and big-hearted standout for the winter season. The craft is amazing, so much so that even when it leans towards fan service, there’s some incredibly fun visual imagination to be had. None of that takes away from the genuinely sweet relationship at its core, one of self-discovery and finding self-worth in collaboration and shared interests.